Dragon Dress!

So, first of all, Ed Emberley is awesome, and I’ve already used his frog fabric from his cloud9 collection Happy Drawing in a quilt a while back. (It’s at the bottom of this post, the one with a very imaginative title…) The frogs to me are the quintessential Ed Emberley animal, but probably that’s because I spent a lot of time pouring over his drawing book and recreating frogs during my childhood.

We had the animal book as kids, but when I had my own kids, my sister gave us a few more, only one of which I found to put in this picture. I suspect the children of hiding them.

But I also bought the dragons, because it is amazing. And finally made it up into a dress for my daughter who is very much not into pink and/or floral prints.

and then I swore to never do a gathered skirt again

I only bought 1.5 yards in that way I have of buying fabric without consulting patterns first. So, I resorted to a contrast band to give it length. And with all the red I couldn’t resist the contrasting zipper, could I? But I ran out of red before I got to the arm hole bindings, so they are a completely different shade of green. And one of course, I have no matching thread for, so obviously, I sewed the binding on with red thread, which shows through in places, but only if you look REALLY CLOSE. But, well, lessons learned!

And the mistakes are generally small enough to overlook. ;)

And the fabric is wonderfully soft!

I also have a few prints from Happy Drawing Too, though I haven’t cut into them yet.

This one’s my favorite:

Could it be more adorable?!?

Now I hope to get some more quilt work done before I cave to the demands of the other child for a dress of her own.

Although, speaking of Cloud9, I feel like I need to put in an unsolicited word for Mixteca: It’s amazing, it’s seriously like nothing I’ve ever seen before, I’ve been showing it around to friends as an amazing example of fabric design. And the colors are great. And everyone should buy some (I have the toucans, and the dots are on my list; sadly, the fabric budget stands between me and the whole collection). Brenda carries it at Pink Castle Fabrics.

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Inbetween days

So, it looks like I will not finish anything any time soon. So, I’m going to update you on what I’m up to, anyway.

sample!

First, I put up a new collection up on Spoonflower, though it’s not order-able yet. It’s called Study Guide, and it’s math and greek letters, and it’s for the Fabric 8 contest that I mentioned in the last post. After that, I’m just not going to do contests for awhile, as it takes a lot of time I don’t actually have to devote to it.

On the sewing front:

scrappy trip along quilt

the scrappy trip along quilt is slowly being assembled into rows

...and I'm working on a child's dress

and I've started cutting fabric for two more quilts

And I’ve been working very slowly on organizing my fabrics:

this is some of it.

I have some more to go, but I’ve run out of supplies.  Once I get fabric out of the drawer units, I’m going to put in progress projects in there, so they stop cluttering up the cutting mat and ironing board… I hope!

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Invasion of the bright chickens

So. I’ve entered my first Spoonflower contest. If you have talked to me for any length of time about fabric, I am sure you’ve discovered my abiding love for Spoonflower. I’ve been buying and designing fabric there for a few months, I even have a little shop. (It’s not much… yet.)

So, anyway, they have the fabric 8 competition next week, but I was initially uninspired by that theme, and decided I’d rather do the previous week’s contest of pop art chickens. So, chickens!

Here's my entry, now go vote for it! *cough* please?

I used colors similar to Andy Warhol’s screen prints. I don’t really have much to say about it, other than it’s adorable, and I want it to win.

You can vote here. Scroll through the entries and the entries you click on you will be voting for. You don’t have to sign up/in to vote.

I am also entering the fabric 8 contest, but more on that in two weeks, I guess, when public voting starts. Provided I make it to the semifinals. So, I better work on my entry, huh?

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The One with Feathers

So, this quilt was inspired by these pillows by Katy Jones of I’m a Ginger Monkey. Only, in order to get it the size I wanted, I had to deviate from her layout.

Of course the layout I came up with requires partial seam assembly, but I only had to rip it out once, so that counts as a victory, right?

I call it "drunkard's dice" myself.

Well, not sure what to say about it, other than to list off the fabrics I used, but I’m not sure anyone is that interested. It’s a mix of blenders and solids, and a few tone on tone prints, most of which came from Pink Castle Fabrics. And I worked in two Lizzy Dish prints because I couldn’t stop myself. It has a voile binding that is these huge feathers, but you can’t tell, I think, but it’s a nice touch, believe me, because….

Peacocks!!!

The backing is this wonderful (if upside down in this picture) peacock fabric (Thomas Knauer, Andover). I had been referring to it as “the thing with feathers” until I came up with the dice idea.

It is claimed that working with voile is hard, but I starched the hell out of it, (as someone advised on the internet) and it was fine.

I quilted pebbles in the dots and a loose geometric free motion pattern as the background. And though my squares weren’t square, and my angles were wildly varied, I’m pretty happy with it.

close up!

In other news, I am thinking about printing with dye, if I can get around to making the thickener. I bought some fabric markers, which seem neat, and I want more, but I figure I should test them for wash fastness first.  And I am working on putting the pieces I created at a class I went to (two weeks ago?) into a bigger quilt – hoping to finish that this week, well, at least the top. And I have gone a little way towards finishing my scrappy trip around the world quilt – well, all the blocks are done, but turns out, they’re not all the same size, and some may need dire surgery… So there is that to look forward to!

And after that I want to make a rainbow of these in every possible color combination! :D

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Batik catch up

So, this is embarrassing. I am going to be uploading a ton of pictures, which may have the appearance of making me look super productive, but sadly is months of work that I’m catching up on blogging about.

Chronologically, this piece is first:

complicated!

And I don’t remember much about it, except the applying first round of wax took me four times as long as I expected. I used a template, cut out of hard plastic, and traced around with soy wax on a paint brush. I painted in some blue fabric paint, which became green in the yellow dye. I think I used four dye baths? (Yellow, dark yellow, orange, red) Waxing between the baths to trap the color of some flowers and not others. The point was to let the original outlines disintegrate. It was only mildly successful. I think the blue may have been a mistake?

It had a much simpler companion:

I call this one "stripes"!

Then, during November I got interested in stamping with wax, after reading Rossie’s blog post here, and then the recommended book, resulting in:

many pieces made over a few months

Top left: large crayola marker cap and medicine bottle. Top center: drinking straws glued to a cardboard form to make a unit of four. Top right: plastic square, assorted plastic containers, spool. Bottom left: cardboard shapes and cookie cutters (love the X). Bottom center: clothes pin and plastic containers and that same plastic square. Bottom right, a star made out of cardboard – dyed grey, then more stars, then overdyed purple.

And more recently:

The screen print with batik, my specialty!

Printed, eyes painted with wax, dyed grey, faces painted, then one of two purples, then overdyed with the same intense blue. (Actually, I think it’s called “intense blue” on the bottle) I went dark with them because due to a breakdown of the screen, their faces have many blemishes, and I figured the usual sunny colors would increase the contrast and therefore the appearance of the marks.

And then there is this, another complicated piece:

the inset is my favorite skull

So, I was reading a magazine someone handed me, Sew News from June 2005. In the article “Make Your Mark” by Lois Ericson, she demonstrates a technique of masking prints (she’s stamping, but same difference) with freezer paper. This makes your first print appear to be in front of the next print.

So, I printed skulls 4″ apart (close as I could with the screen I am using), waited a day for them to dry, heat set them, ironed on a piece of freezer paper cut out in the same shape, and printed another group, and repeated, for five or six days, until it was all skulls. I then pulled off the paper, made doubly sure about the heat set, and painted every skull with wax, then dyed the whole thing grey. Then I waxed the spaces between the skulls and dumped it in purple. I was hoping that the wax would hold together and I’d just get purple in a few cracks. Instead, I got mostly purple skulls, with the white preserved only where I used my wide brush to paint the grey background.

I should have known better. Time after time I have proven conventional wisdom right – soy wax does not hold up to repeated dye baths. (Still! the clean up is so easy!) Ah, well, I can always start again…. ;)

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Madrona Road Wild Carrot Quilt and Ed Emberley Frog Quilt

So, the odd thing about this is the timing. Right now Michael Miller and many Modern Quilt guilds are doing a Madrona Road challenge. Mine… does not qualify. It’s the wrong color scheme for one thing!

wild carrot quilt

yes, it's sideways.

I love the wild carrot print in this line – but because it is a large print, I decided to use it in blank blocks as well as in the pieced block. Most of the other fabrics are from Madrona Road as well – but there are a few off prints – there is one grey fabric that is not Sprout, there is one brown floral that is not Sweet Field, there is one blue that is not Haystack, but a Sketch print. And one block just has white rather than Wild Carrot. I also pieced one of the blanks, but that was because an all white one looked weird, and I was out of big pieces of Wild Carrot.

And the back – is orange Haystack and Wild Carrot leftovers, and then some Oliver and S. fabric that was a similar orange (but I only had a yard of – not enough to make a whole back).

the peiced section of the back

the peiced section of the back

I added back some selvage strips to keep the name of the fabric, which the quilt shares, with the quilt. The binding is Sprout in blue – I seriously love this particular shade of blue!

And the quilting!

the quilting

Pebbles!

This quilt was finishing up as I received my copy of Angela Walter’s book Free Motion Quilting, an amazing book I have been recommending to everyone since then. It really took me from a reluctant quilter to someone who is eager to practice and explore the potential of That Side of the craft.

I have made another quilt with this same floating windows design. This seems to me the perfect answer for large print fabrics as well as big statement fabrics that you don’t want to cut entirely to bits. Also, by fussy cutting the center block of the pieced block you can focus in on your favorite part of the print in an interesting way.

This one is baby blanket as well, but the scale is different, these are 8 inch blocks, and the Madrona Road was 9 inch blocks.

frog quilt

I love this frog print from Ed Emberley's Happy Drawing collection!

I also used Sketch here (both the “solid” greens are Sketch), which is an amazing blender, if you are not familiar with it… you can get it from Pink Castle Fabrics (which is where I got it).

And the back is a solid piece (much easier) of ta dot in lime green.

here it is!

The quilting is just a simple grid pattern, and the binding is frogs and ants and snakes in similar colors.

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How I track down out of print fabric

So, you have seen something in a quilt or a book or in your friend’s stash, and you think, I simply must have that! How do you go about it?

Hopefully you have the name of the fabric, and the designer, and the manufacturer. The more information you have, the better. If you don’t have it, I would suggest searching supplies/fabric on Etsy with a description of the design and crossing your fingers that something will come up. This doesn’t always work, but sometimes it will.

Now that you have a name, try to find a picture of all the fabrics in the line (if you are looking for more than one). Recently, I was trying to track down the Lizzy Dish line, from Andover, designed by Lizzy House. But, as it was released four years ago, I had a hard time finding a photo of the whole line. Until I found this quilt pattern.

Now, print your picture out, and make a table. And carry them with you! And fill them in as you buy things! Because I didn’t consult this, I ended up buying two repeats, and I almost missed buying one of the fabrics altogether, because I didn’t realize that they were so similar, because I didn’t keep consulting my picture.

Now comes the shopping:

1. Search by designer, and line name and fabric name, and manufacturer, in combination and separately, every way you can think of, on both Etsy and Ebay, favoriting or watching fabrics when you find them. (But don’t buy! Not yet!)

2. Message every one of those fabric sellers to ask (politely!) if they have any other of the fabrics in that line in stock, and if you already have purchased a few, make sure you are specific about what you are looking for. Remember, it costs money to list something on these sites, and not everyone lists everything they own, nor do you want them to list things in expectation of your buying them, and then you go and buy from someone else. It was a rare shop that didn’t turn out to have one more Lizzy Dish print somewhere, and one even turned up four for me, ones I would not have found anywhere had I not asked. (And the added benefit of this is that even if you found a fabric in every shop, by buying from fewer places, you will probably save on shipping.)

And don’t forget to search the recent past! Etsy and Ebay do a good job of hiding sales that have gone through and auctions that have ended. But if you search on Google, you can still find them (if you scroll down the results long enough)… It is a pain, but the rewards can be great, so make sure to message those people who have sold it in the past too, and ask if they have any more in their stock.

Also, by checking search engines you may turn up an independent online store that carries a print you can’t find elsewhere. For instance, I just found a store in California that is carrying that very hard to find yellow kitchen equipment print.

2. Write down what you have found in your table, and wait a day or two for slower responses to trickle in. Don’t panic and buy stuff as people message you back. Wait and see if you can’t get a better quantity or price from another store.

3. When everyone has replied (or you have given up on those who haven’t) and you feel you have considered your purchases carefully, feel free to make them.

As for Lizzy Dish – I bought 4 fabrics on Ebay and 12 from Etsy in this manner, making a total of 16! 16 out of 21, and I was unwilling to give up the fight.

fabrics

some of the prints set out on the ironing board

If you are also unwilling, follow me to step 4, finding the last elusive prints.

4. Alright, go back to Etsy. Search generally for the fabric, the pattern, the designer. Not in supplies now, but everywhere. You are looking for people who have used the fabric in the bags, clothes, etc, that they are making. Now, email them and nicely, sweetly, beg for scraps.

You may get a few scraps this way; I did! But even better, and more amazing, here are women sympathetic to your plight (after all, we’ve all been bitten by fabric love) who may take pity on you and look through their stashes for coordinating prints that you have all but given up hope on. And I admit, I have gotten two more prints this way, and a lead on a third.

This got me firmly at 18, teetering on the brink of 19.

The 19th crept in, the 20th, the mustard knives, was suddenly listed on Etsy after I checked every few days for a month. (Which goes to show you need to keep rechecking, and can’t give up!)

The final print – the pink knives, I got in a swap, and only found out about it through asking a seller on Etsy if she had the print. She did not, but knew of a friend who had some Lizzy Dish, and so, in about two months, I had the whole collection.

And then I started making a scrappy trip around the world quilt with it…. (actually, I started making the quilt a few weeks before I had that last print, but, it doesn’t really matter for the story.)

blocks for a quilt top

25 blocks of a projected 56...

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The Migraine at the Gates

Yes. It’s been a while since I’ve posted! I have ideas and no time, and that’s the same reason I’m not making more quilts, too… huh.

Anyway, finished this one at Thanksgiving:

migraine quilt

those eyes are my first non-fusible machine applique (um, not counting bias applique...)

I call it “The Migraine at the Gates” and it’s a rail fence quilt. And thanks to this awesome fabric I got from the awesome Pink Castle Fabrics, it really is a fence.

And I used up practically all of that bamboo fabric left over from my Japanesque pillows.

close up of quilt

and the quilting is a diagonal grid

and the backing

and the backing is this navy floral fabric from the 80s.

And that’s all I have to say about that. I hope to have the current project finished soon, but Christmas crafting, surface design, and rediscovering my loom have kept me from it, so we’ll see. I at least want to have it done by the time school starts up again after break… but, who knows, we’ll see?

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Rag Rug!

scrap fabric rug

here it is in place on the floor...

So, I finished this at a meeting on Thursday night. At last! I guess I thought it would take 5 months, and it only took around 2 1/2. I give the credit to trying to get one color sewn together ready for the loom every night. Not that it happened every night, but trying to live up to the goal went a long way towards getting it met…

I got scraps from Brenda at Pink Castle Fabrics (and if you want some, too, just ask her! She has claimed to have boxes of them) and the loom I used is one from Craftsanity. I used the nine peg coaster loom. I sorted the scraps by color before starting, because I wanted discreet blocks of color, but as I ran out of fabric, there started to be blocks of two or more colors.

obligatory close up image

obligatory close up image

And doesn’t it look amazing! I was working on it, as I said, in meetings and at Fiber Expo at the Black Sheep booth, and I always get compliments and questions. The main question is how much fabric do you need to make a square? And the answer is, that even after making 40 of them, I have no idea.

The weaving was fairly straightforward, it’s the transforming 18″ strips of fabric into lengths long enough to weave on the loom that was the hard bit (I used the sewing machine). But at least it saved me from the horror of cutting apart my stash for rugs. *shudders*

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The Leftover Moon

So, last year, about this time, I made a few of these:

moon wreath

grumpy moon wreath!

Which left me with lots of leftovers:

scrap moons

so many moons, so little time

So, recently, I took a few of the leftovers and some black and white fabric (which I also have tons of!) and put this together:

moon quilt

starry night, foggy night, snowy night, moon.

It has a double binding, which is a bit painful*, though not too terrible on a small piece like this (22×17″). It’s a trick I learned at one of my guilds! So, the double binding:

Cut a strip of fabric 1″ wide, fold in half, iron.
Line up the raw edges with the raw edges of your quilt, sew on with a 1/8″ seam. Do not miter your corners, or you will regret it when you go to miter the next set.
Apply your binding the usual way.

*The only thing that makes it painful is having to go round 3 times, rather than 2. Otherwise, it’s really quite simple.

And if anyone is interested in a moon wreath, I have some left, though not the turquoise one in this picture; I have purple or dark blue. Let me know, and I’ll set you up an etsy listing. $35 + shipping.

Or you can make your own! Here is a tutorial I wrote up on Craftster.org.

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